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Este libro expone los fundamentos del modo narrativo de comprender la realidad, y proporciona las claves principales de esta dimensión de nuestra mente que nos distingue como especie.La narratividad parte de unos elementos formales permanentes: la identificación de un conflicto y sus posibles soluciones, la creación de personajes, la construcción de argumentos, la selección del punto de vista que están presentes en cada historia, desde la anécdota más cotidiana a los grandes relatos políticos y religiosos.En una obra que combina lo práctico y lo académico, los descubrimientos de la neurología y las dinámicas propias del taller literario, los mitos clásicos y el cine actual, la alta literatura y las series de éxito, Fernando Ariza y Miguel Herrero desvelan las claves que rigen el storytelling: las técnicas de articulación argumental, las estrategias para conseguir el máximo efecto en la audiencia, o los valores éticos e ideológicos que destila cada narración.Los lectores interesados en la teoría del relato y su aplicación práctica al ámbito personal y profesional, al discurso público y a la narrativa individual encontrarán en este libro los instrumentos para contar y analizar historias con la máxima calidad.

Storytelling.

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Digital fiction has long been perceived as an experimental niche of electronic literature. Yet born-digital narratives thrive in mainstream culture, as communities of practice create and share digital fiction, filling in the gaps between the media they are given and the stories they seek. Neverending Stories explores the influences of literature and computing on digital fiction and how the practices and cultures of each have impacted who makes and plays digital fiction. Popular creativity emerges from subordinated groups often excluded from producing cultural resources, accepting the materials of capitalism and inverting them for their own carnivalesque uses. Popular digital fiction goes by many different names: webnovels, adventure games, visual novels, Twitter fiction, webcomics, Twine games, walking sims, alternate reality games, virtual reality films, interactive movies, enhanced books, transmedia universes, and many more. The book establishes digital fiction in a foundation of innovation, tracing its emergence in various guises around the world. It examines Infocom, whose commercial success with interactive fiction crumbled, in no small part, because of its failure to consider women as creators or consumers. It takes note of the brief flourish of commercial book apps and literary games. It connects practices of cognitive and conceptual interactivity, and textual multiplicity-dating to the origins of the print novel-to the feminine. It pushes into the technological future of narrative in immersive and mixed realities. It posits the transmedia franchises and the practices of fanfiction as examples of digital fiction that will continue indefinitely, regardless of academic notice or approval.

Hypertext fiction. --- Narration (Rhetoric) --- Storytelling in mass media. --- Digital storytelling.

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"Writing Audio Drama is a comprehensive and intelligent guide to writing sound drama for broadcasting and online. The book uses new and original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years. Audio drama in the context of podcasting is now experiencing a global and exponential expansion. Through analysis of examples of past and present writing, the author explains how to originate and craft drama which can explore deeply psychological and intimate themes and achieve emotional, truthful, entertaining and thought-provoking impact. Practical analysis of the key factors required to write successful audio drama is covered in chapters focusing on audio play beginnings and openings, sound story dialogue, sustaining the sound story, plotting for sound drama and the best ways of ending audio plays. Each chapter is supported by extensive companion online resources expanding and supporting the writers and subjects discussed and explored, and extensive information on how to access online many exemplar and model sound dramas referenced in the chapters. This textbook will be an important resource for undergraduate and postgraduate students taking modules and courses on radio drama, theatre and media drama, audio theatre, audio drama, scriptwriting, media writing"-- Provided by publisher.

Digital storytelling. --- Radio plays --- Authorship.

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Storytelling is a form of communication that has been present throughout a substantial span of human history. The advent of emerging technologies, such as augmented reality (AR), virtual reality (VR), and mixed reality, has significantly transformed the conventional narrative in the realm of digital storytelling. Currently, this technology has the potential to be utilised in various application domains spanning multiple fields of study. It holds significant value for various entities within a given society, including corporations, non-profit organisations, tourism operators, educators, developers of online and mobile games, marketers, and numerous other stakeholders operating within diverse contexts. Hence, one might suggest that digital storytelling possesses significant potential in contemporary society.

Digital storytelling. --- Virtual reality --- Computer programs.

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Authoring, its tools, processes, and design challenges are key issues for the Interactive Digital Narrative (IDN) research community. The complexity of IDN authoring, often involving stories co-created by procedures and user interaction, creates confusion for tool developers and raises barriers for new authors. This book examines these issues from both the tool designer and the author’s perspective, discusses the poetics of IDN and how that can be used to design authoring tools, explores diverse forms of IDN and their demands, and investigates the challenges around conducting research on IDN authoring. To address these challenges, the chapter authors incorporate a range of interdisciplinary perspectives on ‘The Authoring Problem’ in IDN. While existing texts provide ‘how-to’ guidance for authors, this book is a primer for research and practice-based investigations into the authoring problem, collecting the latest thoughts about this area from key researchers and practitioners.

Interactive multimedia. --- Digital storytelling. --- Storytelling --- Hypermedia systems --- Interactive media --- Computer software